{"id":31047,"date":"2021-06-29T11:41:35","date_gmt":"2021-06-29T09:41:35","guid":{"rendered":"https:\/\/studio44-stockholm.com\/external-exhibitions\/souveniring-futures\/"},"modified":"2022-07-31T06:21:37","modified_gmt":"2022-07-31T04:21:37","slug":"souveniring-futures","status":"publish","type":"page","link":"https:\/\/studio44-stockholm.com\/en\/exhibitions\/external-exhibitions\/souveniring-futures\/","title":{"rendered":"SOUVENIRING FUTURES"},"content":{"rendered":"

SOUVENIRING FUTURES<\/h1><\/h1><\/div>
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Gallery HUUTO<\/h3>\n

J\u00c4TK\u00c4SAARI
\nMAKASIINI L3
\nTyynenmerenkatu 6 , 00220 Helsinki<\/h4>\n

23 January \u2013 9 February 2013<\/strong><\/p><\/h2><\/div>

Agneta Bj\u00f6rklund
\nLillemor Boman Carl\u00e9n
\nJannike Brant\u00e5s<\/a>
\n\u00c5sa Elieson
\nMichael Ellburg
\nAnna Stina Erlandsson
\nRikard F\u00e5hraeus<\/a>
\nChristina G\u00f6thesson<\/a>
\nKarin H\u00e4ll
\nSusanne H\u00f6gdahl Holm<\/a>
\nAndrea Hvistendahl
\nMonica Larsson<\/a>
\nMonika Masser<\/a>
\nPenka Mincheva
\nOla Nilsson
\nLotte Nilsson-V\u00e4limaa
\nKenneth Pils
\nPeter Westman
\nBj\u00f6rn Ols\u00e9n<\/h4><\/h2><\/div>

SOUVENIRING FUTURES \u2013 Transition is part of the collaborative project between the artist-run Studio 44 and Galleri Huuto, Helsinki.<\/strong>
\nThe exhibition takes place during the year Studio 44 celebrates 10 years on the art scene when artists from Studio 44 are invited to visit Finland between January 23 – February 9, 2013, in Galleri Huuto’s new, large premises; J\u00e4tk\u00e4saari Makasiini L3.<\/strong>
\nIn the autumn of 2012 Galleri Huuto visited Studio 44 with the exhibition I see.
\nAs part of the project, we want to take advantage of our common experiences, build new contact areas and work for a stronger and more open Nordic art scene.<\/p>\n

Thematically, the exhibition focuses on the many crossings and movements between the countries that have been an important part of the history of Finland and Sweden. The exhibition examines the look and mutual understanding this has generated.
\nThe journey itself, the crossing, is placed centrally in the exhibition idea to highlight the physical and mental middle ground that occurs when moving between two states. We then find ourselves in an as yet unexperienced future, while the memory of what we left behind is very present.<\/p>\n

The acquisition of a souvenir is an event in the present, in what is experienced on the spot.
\nThe souvenir is something that fits in the suitcase and that connects the memory and the present. In the same way that an interesting exhibition imprints a memory that remains, the souvenir also carries hope for a future in which one can think back and remember a fabricated image. Objectifying or visualizing a future is a way of working that the artist is well familiar with. Concretizing the possible paths ahead, and using symbols with a view to the future, makes us less afraid to participate in an ever-changing world.<\/p>\n<\/div>