{"id":30622,"date":"2022-02-11T16:01:46","date_gmt":"2022-02-11T15:01:46","guid":{"rendered":"https:\/\/studio44-stockholm.com\/exhibitions\/exhibitions-2022\/averkan-aterbruk-njalla-landskapsspar\/"},"modified":"2023-03-26T01:37:02","modified_gmt":"2023-03-26T00:37:02","slug":"impact","status":"publish","type":"page","link":"https:\/\/studio44-stockholm.com\/en\/exhibitions\/exhibitions-2022\/impact\/","title":{"rendered":"Impact\/Recycling Njalla! Landscape tracks"},"content":{"rendered":"

Impact\/Recycling Njalla! Landscape tracks<\/h1><\/h1><\/div>
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Gallery & The project room<\/h3>\n

11 – 27 March 2022<\/strong><\/p><\/h2><\/div>

Emma G\u00f6ransson
\nRoland Ljungberg
\nMariana Ekner<\/a>
\nJohan Nordbeck<\/h4><\/h2><\/div>

The landscape of the impermanent is explored from three different perspectives.<\/p>\n

Mariana Ekner & Johan Nordbeck’s\u00a0Averkan\/Recycling\u00a0<\/strong>examines artifacts from the screen workshop, with associations to all stages of life and everyday life. Recycling becomes meaningful in new ways.<\/p>\n

Emma G\u00f6ransson’s<\/strong> installation is entitled Njalla! Eight “njallas”, Sami pole huts, are placed over lake-soaked stumps based on traditional Sami architecture. In textile and watercolor, the material choices express different types of femininity, as well as clashes between rural and urban environments, history, and the present.<\/p>\n

Roland Ljungberg’s<\/strong> contribution Landskapsrum explores the landscape as construction, where the dream of life is attached. Only the tracks are visible; our traces interweave and superimpose what we believe to be nature.<\/p>\n<\/div>